thingsmyxxxsaid:
“Things My Exes Said // #533 Submitted by nymkoe
”

thingsmyxxxsaid:

Things My Exes Said // #533 Submitted by nymkoe

formationtourdancers:

Beyoncé’s dancers, 2017 Grammy Awards

(Source: ontherundancers, via schwanensee)

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nevver:

Waterlogged, Stacy Platt

(Source: lenscratch.com, via nevver)

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womeninarthistory:
“Lynette Yiadom-Boakye - The Matches, 2015
”

womeninarthistory:

Lynette Yiadom-Boakye - The Matches, 2015

nevver:

No stone throwing, Neile Cooper

(Source: instagram.com, via nevver)

xwg:
“Face to Face (1976) dir. Ingmar Bergman
”

xwg:

Face to Face (1976) dir. Ingmar Bergman

(Source: artfilmfan, via cinemasource)

sfmoma:
“Submission Friday:
‘Lemons’ - pastel on 100% cotton paper
Instagram
Tumblr
”

sfmoma:

Submission Friday:

‘Lemons’ - pastel on 100% cotton paper

Instagram

Tumblr

talking about gender in a gendered language involves the use of gendered terms

lolmythesis:

English Literature, Cambridge

“I would like a word with you”: Constructing spaces & frameworks for non-binary gender through self-reference & auto-biographical fiction”

(Source: lolmythesis)

womeninarthistory:
“My Dress Hangs There, 1933, Frida Kahlo
”

womeninarthistory:

My Dress Hangs There, 1933, Frida Kahlo

(via chescaleigh)

Feelings Rookie: How to Apologize

(Source: autostraddle)

criterioncollection:
“thisobscuredesireforbeauty:
“ Iolanda Bernardes in Limite (Dir. Mário Peixoto, 1930).
Source
”
An astonishing work of creative expression, Limite is the sole feature by the Brazilian filmmaker and author Mário Peixoto, made when...

criterioncollection:

thisobscuredesireforbeauty:

Iolanda Bernardes in Limite (Dir. Mário Peixoto, 1930).
Source

An astonishing work of creative expression, Limite is the sole feature by the Brazilian filmmaker and author Mário Peixoto, made when he was just twenty-two years old. Inspired by a haunting André Kertész photograph Peixoto saw on the cover of a French magazine, this avant-garde silent masterpiece centers on a man and two women lost at sea, their pasts unfolding through meticulously orchestrated flashbacks propelled by the music of Erik Satie, Claude Debussy, Igor Stravinsky, and others. One of the earliest works of independent Latin American filmmaking, Limite was for most of the twentieth century famously difficult to see. It is a pioneering achievement of Brazilian cinema that continues to captivate with its timeless visual poetry.

LIMITE

nadi-kon:

Moonlight (2016) dir. Barry Jenkins

(Source: timotaychalamet, via cinemasource)